Showing posts with label #punkrock. Show all posts
Showing posts with label #punkrock. Show all posts

Friday, October 18, 2024

Vintage Review: Java Christ's Songs To Confuse Slam Dancers (1996)

Java Christ's Songs To Confuse Slam Dancers

Back a few years ago, I had a gig as the night manager of a local newsstand / convenience store in the university area of Nashville. As one of the few places in town that sold the notorious Jolt Cola, we had a regular weekend crowd of young punks, cybergeeks and metalheads who would buy this high-octane gutrot by the caseload. I got to know several of these customers on a casual basis, often talking music/computers/politics with them. I was old enough to be their father, but I listened to them, supported their dreams and accepted them for what they were, which was a diverse, creative lot with a lot ahead of them.

What a couple of these young Jolt guzzlers had in front of them was Java Christ, the finest young band to emerge from the Nashville scene since the Teen Idols first took the stage (which, although not really that long a period of time, says something nonetheless considering the large number of truly mediocre bands that come and go in the Music City in a year’s time). Thanks to the fine folks at House O’ Pain, Java Christ make their vinyl debut with the 7” Songs To Confuse Slam Dancers EP, an altogether red-hot slab o’ punk rock fun that comes with an iron-clad Reverend K guarantee: if you buy this disc from House O’ Pain and don’t like it, send it (in good condition, naturally) to R.A.D! and we’ll give you yer cash back on it. Yes, it’s that good.
   
Side one of the EP kicks off with “Gasoline,” an infectious ska-tinged rocker. Layers of fuzzy guitar punctuate the tune’s rock-steady rhythm, with the entire effort burning as bright as its name and subject matter. “Suburbia” opens with gonzo rock chords, flashing quickly into a fast-paced, mile-a-minute musical romp. The second side’s “Insomnia” is anything but a snooze, hard and fast chords underlining a classic tale of love lost (and delivering a the most effective lyrical “piss-off” since Dylan’s “Positively 4th Street”). The disc closes with “Clue,” another delightful ska-fest, chockful of energy and attitude.

After seeing Java Christ play live at this year’s House O’ Pain/Lucy’s Record Shop Anti-Extravaganza show, I can say that they’ve got a bright future ahead of them. They’re charismatic and likeable, with a solid punk ethic that just can’t be beat. Songs To Confuse Slam Dancers is an entertaining and impressive recording debut that manages to capture enough of the band’s live energy to scorch your turntable. (House O’ Pain Records)

Review originally published by R.A.D! music zine, 1996

Friday, June 28, 2024

Vintage Review: Cloverbottom's "Anarchy In The Music City" (1980)

Cloverbottom's Anarchy In The Music City
The long-awaited Cloverbottom EP is finally on the street. For dedicated fans of Nashville’s most visible punk group, this collection of four new wave classics is a delayed Christmas present that just keeps on giving.

Containing such jewels as “Anarchy In Music City,” “Life Is A Game,” “Cottage Cheeseheads,” and “Nuclear War”, this self produced record has captured the raw energy of Cloverbottom. Anyone who has seen this power trio live in town will be able to feel the stage presence that screams out of the grooves on this disc.

If you haven’t experienced new wave music, this EP offers a quickie course. There aren’t any female singers with blonde hair, or fashionable lead singers in skin tight pants. These guys didn’t name themselves after a form of transportation. They took their title from the local mental institution. That alone should give you a hint of their attitude.

If the name isn’t enough, listen to some lines from this record:

Life is a game I ain’t ready to play…
(“Life Is A Game”)

If you Don’t Like Us You Can Leave.
(“Anarchy In Music City”)

And finally

Monotony will drive you insane.
(“Cottage Cheeseheads”)

Rock Strata, Johnny Hollywood and John Elliot (who has since left the band to join Actuals, no the, just Actuals) capture the raw underbelly of Nashville Punk. $2.00 and a trip to New Life Records on Charlotte Ave. will provide a primer and teaser for a new form of Nashville Music.

Review by Thom King, originally published in The Nashville Gazette, 1980 

Nashville's Cloverbottom

 

Monday, June 24, 2024

Vintage Ads: Cloverbottom @ 12th and Porter (1985)

Cloverbottom

Vintage ad for what was arguably Nashville’s first punk rock outfit, Cloverbottom. They released the incendiary “Anarchy In The Music City” 45rpm single in 1980 and ignited a local rock scene that still rolls on today…

Cloverbottom