Monday, July 22, 2024

Vintage Review: Jet Black Factory’s duality (1988)

Don’t ask me why I like this band. I can’t figure it out. I hate this kind of stuff: the dark vocals of those suicidal Goth-rockers, the jangly guitars of every band south of the Mason-Dixon line who bought their local R.E.M. franchise. It’s all too bloody serious. Just give me some Chuck Berry riffs and a couple of “na-na’s” and I’ll go home, thank you.

But these guys are different. Dave Willie’s hoarse, brooding vocals have an energy that keeps them from getting mired in Goth-muck. Bob German’s guitar vocabulary isn’t limited to wimpoid jingle-jangles. He is perfectly capable of snarling, and knows when nothing short of a wall of sound will do. Jim Dye and Dave Jones form a taut and understated rhythm section. Though there’s nothing here with the driving force of “Water’s Edge,” from JBF’s last effort, songs like “Interstate and Speed” present dreamlike images in a swirling vortex of guitars and urgent vocals.

Producer Mike Poole deserves mention, for this six-song EP is as well-crafted as anything the big boys put out. Somebody ought to give him a zillion dollars so he can get about the business of saving rock & roll from itself. So roll over, Chuck Berry, and tell NRBQ the news, ‘cause this one’s going to be on my turntable for a while. (391 Records, released 1988)

Review originally published by The Metro, 1988



No comments:

Post a Comment